March 13th, 2024
from 18:30
The last event in the “Earth Emergency” cycle, promoted by the Department of Environment Constructions and Design Ӱҵ, features Emanuele Coccia, a leading philosopher on the international scene, in the public meeting entitled “Non chiamatela Gaia. Per un teatro planetario” (“Don’t call it Gaia. For a planetary theatre”, initially scheduled for 22 November 2023).
Coccia believes that the Earth is not an object, but a subject: something that stands before us like any other self.
This is why we need theatre to talk about the Earth: we can no longer afford to talk about it without making it speak, without staging it as a free subject, as a character.
In this sense, ecology must become a theatrical practice and theatre must become the supreme form of ecology.
Free event open to all interested persons.
Final refreshment.
required for organisational reasons.
Supported by .
Biography
Emanuele Coccia has been an associate professor at the École des hautes études en sciences sociales (EHESS) in Paris since 2011.
His works, translated into many languages, include “La vita sensibile” (2010), “La vita delle piante” (2018), “Filosofia della casa” (2021) e “Metamorfosi” (2022). He published a photo-theory book with photographer Viviane Sassen (“Alchimie moderne”, 2022). He also directed animation videos such as “Quercus” (2019, with FormaFantasma), “Heaven in Matter” (2021, with Faye Formisano) and “The Portal of Mysteries” (2022, with Dotdotdot).
In 2019, he contributed to the exhibition “Nous les Arbres”, presented at the Fondation Cartier pour l’art contemporain in Paris. He edited the catalogues of the 23rd Milan Triennale of Architecture and Design: “Unknown Unknowns. An Introduction to mysteries”.
Il ciclo di conferenze
The speakers of “Earth Emergency” presented various perspectives in relation to the metamorphoses altering the global and local environment: from Francesco Cara (professor of ecodesign), accompanied by cellist Zeno Gabaglio, to Antonello Pasini, a climate physicist, from Amalia Ercoli Finzi, the first woman to graduate in aeronautical engineering in Italy, to Julia Steinberger, a professor of economic ecology.
The meeting “How the climate is told”, promoted with the cultural association Trame, also provided an opportunity to reflect on new languages and narratives together with Telmo Pievani (philosopher of science), Lisa Lurati (artist), Cristian Scapozza (head of the Ӱҵ Centre for Climate Change and Territory), Franco Di Leo and Federico Caprara (actors), moderated by the populariser Clara Caverzasio.